Katedra činoherního divadla / Department of Dramatic Theatre

Permanentní URI pro tuto komunitu

http://hdl.handle.net/10318/3

Procházet

Procházet Katedra činoherního divadla / Department of Dramatic Theatre podle vedoucí "GORIAUX PELECHOVÁ, Jitka"

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  • From interpretation to adaptation
    Balslev, Ida Kathrine
    (Akademie múzických umění v Praze.Divadelní fakulta, 2017)
    Datum obhajoby: 2017-01-12
    The dramatic structure is like the skeleton that holds together the components and gives birth to the orchestration of the performance.This structure is essential to give the performance life.As a director in theatre it is our main tool. In defining the performance we define the dramaturgy. But what does the dramaturgy consist of and how do we get a hold of a tool, which is so driven by our intuition and how do we change it during the process? In this thesis work I will focus on how to use the dramatic principles in different works from interpretation to adaptation. I will explore how these principles function in each process and how they support the dramaturgy towards the creation of the performance.
  • Prostor k tvorbě
    Goldschmid, Michael
    (Akademie múzických umění v Praze.Divadelní fakulta, 2020)
    Datum obhajoby: 2020-09-18
    Tato diplomová práce se zabývá hledáním ideálního tvůrčího prostředí pro herce. Tvůrčí prostor je zkoumán z významového hlediska konkrétního. i „abstraktního” - a to z pozice herce v jevištním prostoru v scénografických podmínkách, i z pozice nalezení volnosti ve vztahu k sobě samému, hereckým partnerům, režisérovi i ostatním divadelním složkám. Podrobnosti následně zkoumá na základě rozborů zahraničních inscenací, vlastních zkušeností z dosavadní vlastní inscenační tvorby i zkoumáním ansámblových divadel.
  • Working with Actors During Rehearsal Process
    JIAO, RAN
    (Akademie múzických umění v Praze.Divadelní fakulta, 2020)
    Datum obhajoby: 2020-09-17
    This work functions as a reflection of the art of directing and theatre-making based on the studies and practice of the author within the master's program of directing and dramaturgy in the Department of Drama Theatre at DAMU. It combines personal lived experiences with artistic explorations through vital theatrical elements and aspects - story, mise en scène, rehearsal, and spectator, etc. It focuses on the emergence of a new theatrical language and management style. The first chapter deals with reality, living and theatrical. It investigates an unusual, but still quite common, schizophrenic state of existence of a member of the female and Chinese minorities in the Czech Republic. What contributes to such dual reality in building the director's vision? And how does it inspire the creation of a new world? The main chapters examine the process of creating theatre through the productions made during master's studies: The Memo, La Ronde, and Serve the People. How will positive and negative lessons encourage artistic and professional theatre in the future? This work proposes that we find the meaning of theatre through making.