FAMU International

Permanentní URI pro tuto komunitu

http://hdl.handle.net/10318/21

Procházet

Procházet FAMU International podle oponent "ANGIOLILLO, Mary Carmel"

Nyní se zobrazuje 1 - 2 z 2
  • Mark Travis' Interrogation Process
    Viana, Vasco
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2023)
    Datum obhajoby: 2023-06-09
    This thesis examines Mark Travis’ Interrogation Process as a new directing tool for professional Directors working with Actors today, in the digital age. As a methodology developed in the 21st century and aimed primarily at film Directors, Mark Travis’ Interrogation Process allows the Director to bypass the Actor’s thinking mind by interrogating the Character, with the objective of triggering authentic responses through the Character’s emotional memory. This thesis provides an in-depth, step-by-step guide and analysis of the Interrogation Process, as well as critical reflection on its historical roots and its potential use in the work of professional Directors today. This research extends to Zoom interviews with professional Directors and Actors who are already familiar with, or have used, the Interrogation Process in their work with Actors, as well as a personal (Zoom) interview with Academy Award winning Director Agnieszka Holland, to establish a counterpoint between Mark Travis’ Interrogation Process and other contemporary approaches to directing Actors for film.
  • The films of Abdellatif Kechiche
    Lyubynetska, Anna Nuriya
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2017)
    Datum obhajoby: 2017-10-06
    This thesis studies the directing and scriptwriting work of French-Tunisian director Abdellatif Kechiche. In this thesis, the director’s five feature films will be analyzed based on such elements as narrative structures, themes, visual and sound language and construction of characters. On the basis of a close study of these elements, the thesis will analyze the stylistic choices, which form Kechiche’s directing as well as the tools he uses to create new realist films in contemporary France. Abdellatif Kechiche explains that he doesn’t want his cinema “to look like life, I want it to actually be life. Real moments of life, that's what I'm after." (Romney, 2013) This thesis will analyze the meaning of this statement.