FAMU International

Permanentní URI pro tuto komunitu

http://hdl.handle.net/10318/21

Procházet

Procházet FAMU International podle oponent "DUDKOVÁ, Jana"

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  • "Pathos" as an ultimate inspiration in the macedonian cinema
    Banov, Dimitar
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2015)
    Datum obhajoby: 2015-06-05
    This thesis aims to elaborate and prove the inevitable existence of the feature of Pathos in Macedonian Cinema, serving as an ultimate and underlying characteristic in film narratives and language. The work will attempt to illustrate and justify the presence of Pathos in over 90 percent of Macedonian Feature Film production as a consequence of the country?s war-political history, and the rooted subordinate mental matrix of the Balkan people, perceiving themselves as oppressed victims of ?other? nations. In order to achieve this, the thesis will take a closer look at the modern history of Macedonia from the beginnings of motion picture existence until today. In addition, the work will analyze 10 feature films from different decades in the Nation?s Cinema with a view toward the use of Pathos and its necessity.
  • The Mother as a Protagonist in Macedonian cinema
    Nedeska-Trajkova, Verica
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2015)
    Datum obhajoby: 2015-06-05
    As a future screenwriter, I am especially interested in the social, cultural and psychological characteristics that influence the development of film characters. The main focus of this thesis is the depiction of women, particularly mothers, in Macedonian film. The female character is not sufficiently exploited or explored and it's one of the main hoops missing in the already fragile Macedonian cinematography. Given this objective, this thesis explores the real and authentic representation of the woman in Macedonian cinematography, especially the depiction of the mother, by considering the female protagonists in three films from Macedonian cinema that have both influenced the Macedonian culture and have been influenced by the Macedonian culture. Those three films are Vojislav Nanovic's Frosina (1952), Teona Strugar Mitevska's A Woman who brushed off her tears (2012) and Milcho Manchevski's Mothers (2010). The female characters are examined for how they match up to real and ideal models from traditional cultures, how characteristics coming from the East-West dichotomy are used in the creation of these characters, and how the characters relate to Jung's description of the mother archetype.