Diplomové práce / Master's theses

Permanentní URI pro tuto kolekci

http://hdl.handle.net/10318/32

Procházet

Procházet Diplomové práce / Master's theses podle oponent "KUBUROVIĆ, Branislava"

Nyní se zobrazuje 1 - 4 z 4
  • Aliens in Space
    Kukovičič, Lea
    (Akademie múzických umění v Praze.Divadelní fakulta, 2019)
    Datum obhajoby: 2019-06-19
    Aliens in Space is revisiting the creation process of the performance trilogy: US, Bee’s Knees and I.O.U. which are performances created at The Theatre Faculty of the Academy of Performing Arts in Prague as part of the master’s studies Directing for Devised and Object Theatre. Aliens in Space has an emphasis on positive alienation offering another point of view and it is a map of contextualization and detection of the dramaturgical tools used in the creation process of performance trilogy. What is more, Aliens in Space is a groundwork for artists further artistic practice with an outline of the terminology that blossomed out of the performance trilogy and it is used for clearer communication between co-creators of the performance.
  • Arden in Parallel with Plan
    Tan, Arden
    (Akademie múzických umění v Praze.Divadelní fakulta, 2022)
    Datum obhajoby: 2022-06-15
    This M.A. thesis is based on author Arden Tan’s latest research of a performance piece A Plan without the Goal; also a collection of an ongoing work of Arden Series. This paper aims to describe in three scopes; How the author collects materials in everyday life and transforms them into works of art? How did she land in the field of Performance Art from Visual Art with conceptual thinking? And how does she use herself as both the object and subject in artistic research? The author relates her artworks with several notable pieces in contemporary times, addressing issues in art functions, spectator relation, and personal individualism; to explore the artistic potentiality and continue her journey in art.
  • High. Two or three chapters about ecstatic masculinity.
    Victoria Reyes, Daniel Alberto
    (Akademie múzických umění v Praze.Divadelní fakulta, 2023)
    Datum obhajoby: 2023-06-22
    High. Two or three words about ecstatic masculinity is a body-based performance created during the spring of 2022, inside of the master's program in Directing of Devised and Object Theater. This text is the documentation of its process of research about masculinity and performance, the performance of masculinity, and theater as a territory of self-production. In it, masculinity is presented as a composition of molar and molecular lines, terms formulated by Gilles Deleuze and Felix Guattari, and used here to conceive performance as a territory for the implementation of experiments with the masculine expression. Ecstasy, on the other hand, is presented as a theatrical texture that has been present in artistic and nonartistic performativity from ancient times, which represents a space for biopolitical subversion. The theory emanated from rave culture is a tool that helps us to understand what are the cultural consequences of the group intensification of bodies on stage. The descriptions included in the documentation are formulated from a radically subjective point of view, as much as the learnings that were formulated during the discussions of the creative process.
  • Investigating Human: Heightened Senses and Texture of Absence
    Simenaite, Egle
    (Akademie múzických umění v Praze.Divadelní fakulta, 2022)
    Datum obhajoby: 2022-09-15
    The following writings explore and describe the Master-study-long investigation of human beings, heightened sensitivity, and possible texture or textures of absence in the context of three devised projects. These practical projects, undertaken in the field of theatre during the course of the author’s MA studies at DAMU Prague, derived from an interest to work with abstract materials, that highlight the qualities evoking, affecting, and triggering human senses, and that share a particular quality – absence. The performances Human Sound, Human Sound II: the concert, and Take Less Space and Disappear are described in order to trace the process of investigating humans by working intuitively. Alongside, it considers heightened body sensitivity, practicing the imaginary, and exercising empathy as ways to connect. The hypothesis motivating this thesis is: that by using the tools of heightened sensitivity, different materialities and absence as a felt texture can be enabled. Human senses are hereby investigated by reflecting scientific, medical, and artistic knowledge, and going through the creative processes of research, devising, and presenting the artistic work.