Procházet podle oponent "DOLOTINA, Kamila"

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  • Heroes of New Russia
    Shidlovskiy, Kirill
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2018)
    Datum obhajoby: 2018-06-08
    The master thesis “Heroes of New Russia: Analysis of Character Archetypes in the Works of Alexei Balanov” introduces the life and work of one of the most remarkable directors of a new Russian cinema, Alexei Balabanov. Through the use of qualitative content analysis it discusses all his feature films, both finished and unfinished, and focuses on the hero archetypes that the director/screenwriter Balabanov kept using. Furthermore, it describes changing of these archetypes over time as the society of the new Russian Federation kept on changing after the fall of the Soviet Union and as Balabanov perceived that change, both in his life and in his works. Finally, the thesis puts all the ascertained findings into a broader context, based on national, historical and cultural aspects to provide an objective framework for the subjective approach of the famous director.
  • Techniques of Beginning in Selected Films of Andrey Zvyagintsev: Elena, Loveless, The Return
    Ben Eliyahu, Eilat
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2020)
    Datum obhajoby: 2020-09-18
    This thesis examines the techniques of beginning in three films by Andrey Zvyagintsev—The Return (2003), Elena (2011), and Loveless (2017). Typical to art-house films, the beginning in Zvyagintsev‘s films is usually dialogue-concise; it relies mostly on visual storytelling, prioritizing atmosphere over action. Yet, it manages to engage the viewer very effectively. This work intends to define what makes those beginnings so effective and powerful by analyzing film-narration and film-style devices in them. The term beginning is used in this work to indicate the whole first part of the film. The role of the beginning within the overall narration is examined and defined based on the ―viewer‘s activity‖ theory in Neoformalism. The process of hypothesis testing, central to analyzing the narration of the beginning, is the focus of the film analyses in this thesis.