FAMU International

Permanentní URI pro tuto komunitu

http://hdl.handle.net/10318/21

Procházet

Procházet FAMU International podle Klíčová slova "britská kinematografie"

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  • Lynne Ramsay: Character´s multi-sensorial experience
    Sefa, Norikë
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2019)
    Datum obhajoby: 2019-09-20
    This thesis is motivated by my strong conviction that the films written and directed by Lynne Ramsay are worthy of serious engagement and critical scrutiny. The Scottish filmmaker is one of the rare artists who was able to bend the cinema to the shape of her own extraordinary vision, which establishes her among the most original voices working in independent cinema today. This dissertation is also motivated by my curiosity about the seemingly inexhaustible pleasure and edification I derive from her films. It analyzes the consistency,meaning, persistence of style and theme in the corpus of her work. Ramsay’s filmmaking was always described as “cine de autor” (auteur cinema). Indeed, her films are an evidence of a personal involvement in every aspect of filmmaking. This thesis will define and explore the characteristics and conditions of her authorship which constitute an expression of the enduring usefulness of auteurist criticism. In this case, this critical approach tends to yield the deepest insights into her films, identifying the unique qualities of Ramsay’s film grammar, such as the narrative, aural, visual components, while stimulating quests for the importance of the auteur. Since, my research into the literature on the films of Lynne Ramsay failed to find any serious evaluations, my analysis benefits from references taken by different theories included in the thesis and by the audiovisual materiál provided by the films. Primarily, it is an approach to criticism I learned from my mentors at FAMU( Film and TV School of Academy of Performing Arts in Prague), while my direct experience as film-maker will add an operative critical approach to elaborating the stylistic trademarks and identify director’s artistic and dramatic decisions. Each film will be subjected to a close reading illustrated with images from it. These readings aim to structure Ramsay’s method of creation while thinking with the films rather than thinking against or about them
  • Screenwriting in the era of binge-watching
    Fernandes Bahia Baer, Carlos
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2018)
    Datum obhajoby: 2018-06-08
    The prevalence of video on demand has given rise to a new form of content consumption: binge-watching. This thesis explores how that shift has started to influence the screenwriting of shows that are conceived to be binge-watched.
  • Themes and Techniques in the Work of Joanna Hogg
    Ramsay, Jacob
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2022)
    Datum obhajoby: 2022-06-07
    The purpose of this thesis is to provide an analysis of Joanna Hogg’s Souvenir films in an effort to understand the creative themes and underpinnings of her artistic process. The films will be analyzed in the context of her formative influences and earlier films. Inferences will be drawn about her working principles.