La Mansion de Araucaima under Brechtian Eyes
Autor
Datum obhajoby
2022-09-21
Fakulta
Akademie múzických umění v Praze.Filmová a televizní fakulta
Katedra
Katedra střihové skladby
Typ práce
Diplomová práce
Vedoucí
Oponent
Podnázev
Study of Mayolo’s dramaturgical and montage intentions from a Bertol Brecht theoretical point of view.
Abstrakt
This thesis explores the theoretical principles of Brechtian theory, and its relationship with Carlos Mayolo’s La Mansion de Araucaima (1986) by focusing on the structural elements and editing decisions that lead to the creation of this film. The thesis will explore the social context of the film as well as the implications of “tropical gothic” for the intentions of the director. Lastly it will attempt to some principles followed by the film in the way it developed its own dramaturgical structure.
Popis
Klíčová slova
kolumbijská kinematografie, filmoví režiséři, filmová dramaturgie, střihová skladba, analýzy filmových děl, Brecht, Bertolt, 1898-1956, Mayolo, Carlos, 1945-2007