Archaeology of Editing Rhythm:
Autor
Datum obhajoby
2024-09-06 00:00:00.0
Fakulta
Akademie múzických umění v Praze.Filmová a televizní fakulta
Katedra
Katedra střihové skladby
Typ práce
Diplomová práce
Vedoucí
Oponent
Podnázev
Abstrakt
The thesis explores the concept of slow cinema through the works of the Malaysian-Taiwanese auteur Tsai Mingliang, examining his techniques and effects to craft nuanced depictions of boredom and distinctive pacing in two-dimensional (2D) cinema and Virtual Reality (VR) platforms. Drawing upon film theories informed by Bergsonian temporal epistemology, the research investigates Tsai Mingliang's minimalist film language in hyperbolic realism, understood as a response to the modern view of linear time propagated by Colonialism. Within the framework of media archaeology, the study analyses Tsai's distinctive use of stasis' in editing. By contrasting the feature film Days with his VR experiment The Deserted: VR, the thesis highlights its contribution to the discourse on film languages and the evolving interplay between cinema and VR film.
Popis
Klíčová slova
slow cinema, tchajwanská kinematografie, filmoví režiséři, archeologie médií, virtuální realita, střihová skladba, analýzy filmových děl, Cai, Mingliang, 1957-