The Political Expression in Chinese Landscape Photography
Autor
Datum obhajoby
2024-06-11
Fakulta
Akademie múzických umění v Praze.Filmová a televizní fakulta
Katedra
Katedra fotografie
Typ práce
Diplomová práce
Vedoucí
Oponent
Podnázev
Abstrakt
This article reviews the development of Chinese contemporary photography,
discussing the birth of landscape photography, its creative methods, and the social
issues that photographers are concerned about. Landscape photography combines
documentary photography and conceptual photography. This allows Chinese
landscape photography to continue the civilian and critical nature of documentary
photography in terms of political stance. At the same time, the creative method is more
contemporary. In terms of creative methods, photographers use road photography,
ruin photography, and red images to express their political opinions. The thesis reveals
that landscape photography has the ambiguity of position and the profundity of criticism
in terms of political expression. It breaks away from the traditional disciplines of
photojournalism in Chinese photography, cancels the privilege of "moment", and
incorporates the space that has been ignored by Chinese documentary photography
into the main body of expression.
Popis
Klíčová slova
čínská fotografie, krajinářská fotografie, dokumentární fotografie, politické aspekty