Listening Toward the Voice: Hamaguchi Ryusuke's Articulation of Speech
Autor
Datum obhajoby
2024-09-06 00:00:00.0
Fakulta
Akademie múzických umění v Praze.Filmová a televizní fakulta
Katedra
Katedra střihové skladby
Typ práce
Diplomová práce
Vedoucí
Oponent
Podnázev
Abstrakt
This thesis investigates the unique use of speech in Hamaguchi Ryusuke's films through the frameworks of Emmanuel Levinas's concept of Visage and Michel Chion's theory of the three
modes of listening. Hamaguchis films are distinguished by the beauty of the human voice and the strategic articulation of speech to offer diverse listening experiences for the audience. By analyzing Hamaguchis narrative layout and his unique approach to speech, the study reveals how the act of listening is integral to his cinematic expression. Key scenes from his films
demonstrate how different articulations of speech and modes of listeningcausal, semantic, and reducedcontribute to the depth and authenticity of his cinematic expression, highlighting
the roles of the narrator, interlocutor, and reciter. The research delves into the sound phenomenon in the voice of speech in film. This approach highlights the integral role of speech
in shaping the narrative and sound landscape of Hamaguchi's films, offering a fresh perspective on the significance of listening in cinema.
Popis
Klíčová slova
japonská kinematografie, filmoví režiséři, řeč, hlas, orální historie, vypravěči, recitátoři, zvuk (film), analýza zvuku, výrazové umělecké prostředky, Hamaguchi, Ryūsuke, 1978-