Methods of Montage within Luis Ospina´s Mockumentary Cinema in the Caliwood Movement- Colombia
Autor
Datum obhajoby
2024-09-06 00:00:00.0
Fakulta
Akademie múzických umění v Praze.Filmová a televizní fakulta
Katedra
Katedra střihové skladby
Typ práce
Diplomová práce
Vedoucí
Oponent
Podnázev
Abstrakt
In documentary theory, distinguishing between fiction and documentary films can be challenging,
often leading to misclassification. One filmmaker affected by this issue is Colombian director and
editor Luis Ospina, whose work is frequently labeled as fiction rather than documentary. This study
examines Ospina's editing methods in his mockumentary trilogy and uses Bill Nichols'
documentary theories to argue that his films should be considered documentaries. The project
explores the history of documentary theory, defines documentary films according to Nichols'
theories, provides context on the history of Colombian cinema, and analyzes each film in Ospina's
mockumentary trilogy compared to Nichols' criteria. The findings show that Ospina's trilogy aligns
with Nichols' concept of documentary films, particularly fitting within the reflexive documentary
mode. This study contributes to the definition of mockumentaries and encourages further research
to explore and propose new alternatives that enhance existing theories.
Popis
Klíčová slova
mockument, kolumbijská kinematografie, filmoví režiséři, dokumentární film, filmový střih, práce střihače, analýzy filmových děl, Ospina, Luis, 1949-2019