Evoking the World of the Past in Andrei Rublev and The Colors of Pomegranates
Autor
Datum obhajoby
2024-06-13
Fakulta
Akademie múzických umění v Praze.Filmová a televizní fakulta
Katedra
FAMU International
Typ práce
Diplomová práce
Vedoucí
Oponent
Podnázev
Abstrakt
This thesis aims to explore the multifaceted approach to evoking historical reality in cinema through an examination of two seminal films, "The Color of Pomegranates" by Sergei Parajanov and "Andrei Rublev" by Andrei Tarkovsky. The films were created during the mid-late 1960s in the Soviet Union, a period marked by political flux. By scrutinizing how these films navigate the complexities of representing historical figures and events, we can uncover the interplay between socio-political contexts, artistic vision, and historical authenticity.
Popis
Klíčová slova
ruská kinematografie, sovětská kinematografie, filmoví režiséři, historické filmy, propaganda, analýzy filmových děl, Tarkovskij, Andrej Arsen‘jevič, 1932-1986, Paradžanov, Serhìj Josypovyč, 1924-1990