Cage selon Metzger für Heinz-Klaus Metzger zum 60. Geburtstag
| amu.author.notes | Martin Erdmann was born in 1960 and s tudied musicology as well as Chinese and Japanese literature at Bonn University in Germany and currently works as a freelanced writer and musician in Bonn. His dissertation deals with the complete works of John Cage. |
| Autor práce | Martin Erdmann |
| Abstrakt | This material was presented at the Darmstädter Ferienkurse in 1992. It highlights some features of Heinz-Klaus Metzger’s writings on John Cage introducing some perspectives that have not been sufficiently previously followed. A pupil of Arnold Schoenberg’s, Cage is viewed within the tradition of the Second Viennese School and therefore belongs among Webern, Berg, and Eisler, not Stockhausen and Boulez. Cage’s experimental music has been interpreted as a consequence of Schoenberg’s prohibition of tone repetition in the twelvetone technique. Also Metzger was the first to state that after his abolition of compositional coherence Cage started to write coherent music again, but on a different level than before. Close observation of musical notation is crucial in Metzger’s texts. In the piece called Music Walk dedicated to Metzger, Cage uses the graphic symbols of conventional Western notation, but assigns them different functions. |
| URL | http://hdl.handle.net/10318/7667 |
| dc.language | GER |
| Instituce zpřístupňující práci | Akademie múzických umění v Praze.Hudební fakulta. Knihovna |
| Instituce zpřístupňující práci | Akademie múzických umění v Praze. Nakladatelství |
| Klíčová slova | John Cage, Heinz- -Klaus Metzger, Arnold Schoenberg, Music walk |
| Název | Cage selon Metzger für Heinz-Klaus Metzger zum 60. Geburtstag |