Nelineární čas v post-cageovské hudbě
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Typ práce
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Podnázev
Abstrakt
The main focus of the
study is the issue of non-teleological
listening strategies for music.
They are described based on
a phenomenological approach
from the first person perspective.
Phenomenological reduction
is suggested as a method
of work with phenome na for
which classical tools of musical
theory have proven insufficient.
Non-teleological compositions
are related to J. T. Fraser’s
theory of temporalities, specifically
to non-linear temporalities.
The characteristic phenomena in
non-linear temporalities are described
as experiences, i.e. phenomenologically,
as well as from
the viewpoint of the material utilized,
i.e. as compositional procedures.
The concept of duration is
explored.
Popis
Klíčová slova
listening strategies,
phenomenology, non-linear time,
temporality, duration, John Cage