Nelineární čas v post-cageovské hudbě

Abstract

The main focus of the study is the issue of non-teleological listening strategies for music. They are described based on a phenomenological approach from the first person perspective. Phenomenological reduction is suggested as a method of work with phenome na for which classical tools of musical theory have proven insufficient. Non-teleological compositions are related to J. T. Fraser’s theory of temporalities, specifically to non-linear temporalities. The characteristic phenomena in non-linear temporalities are described as experiences, i.e. phenomenologically, as well as from the viewpoint of the material utilized, i.e. as compositional procedures. The concept of duration is explored.